Slab Serif typefaces look great when set in larger sizes however, they are also perfectly suited to body text. no or very little contrast between the thick and thin parts of each character.Slab Serif typefaces were developed during the early part of the nineteenth century and are characterised by having: The strong vertical stress can make them difficult to read in large bodies of text however, this can be alleviated by increasing the leading (linespacing). Modern typefaces look best when set in a large size making them perfect for display type. an extreme contrast between the thick and thin parts of each character.Modern typefaces became popular during the late eighteenth century and are characterised by having: Transitional typefaces are very readable making them great for large bodies of text, just like Oldstyle typefaces. serifs which are not as heavily bracketed as Oldstyle typfaces.a greater contrast between the thick and thin parts of each character compared to Oldstyle typefaces.Transitional typefaces began to surface during the eighteenth century and are characterised by having: Also, look how the serif and stem is connected by a large curved line-this is called a heavily bracketed serif. Note what happens when you draw a line connecting the thin parts of the letter O, it will be on an angle-this is called a slanted stress. However, Oldstyle typefaces can also be used for display type -it’s a very well rounded classification. Oldstyle typefaces produce text that is easy to read which flows smoothly making them perfect for large bodies of text such as a magazine or novel. open and round letterforms with a slanted stress.minor variation between the thick and thin parts of each character.Oldstyle typefaces were developed in the late fifteenth century and are characterised by having: In this month’s typography tutorial we explore type classifications. Why? Because understanding the anatomy and characteristics of different typefaces, and how this affects readability is the first step to choosing an appropriate font. One of the first things that I teach my students in typography class is type classifications. However, there are guidelines that can help you make an informed decision.
Share The age old question: “What typeface or font should I use for this design?” Well, there’s no wrong or right answer to this question.
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